Mother Nature can be a cruel mistress, but not even her fury could stop two metal titans from delivering a night Pittsburgh won’t forget anytime soon. Bullet For My Valentine and Trivium rolled into the Burgh on their co-headlining The Poisoned Ascendancy Tour, celebrating 20 years since the release of their genre-defining albums The Poison and Ascendancy, respectively. Set to be the first outdoor show of the season at Stage AE, the excitement was electric, and unfortunately so was the forecast. With 70 mph winds, tornado warnings, and power outages sweeping across the entire region, the show was delayed and openers Bleed From Within and August Burns Red were forced to cancel. Despite a rocky start and shortened sets, both headliners powered through with performances that proved exactly why they’ve stood the test of time.

Bullet For My Valentine took the stage under a grey, foreboding sky, but the weather did nothing to dampen the energy erupting from the crowd. Launching straight into The Poison‘s explosive “Her Voice Resides,” they wasted no time reminding everyone why this album left such a mark on mid-2000s scene. Matt Tuck’s vocals, gritty yet melodic, still hit with precision, while Michael Paget shredded through solos like he was on a mission to personally silence the storm. The band moved through all of the iconic tracks from The Poison like “4 Words (To Choke Upon)” and “Suffocating Under Words of Sorrow” with razor sharp focus and intensity.

Even in the condensed format, Bullet For My Valentine managed to keep the emotional core of their performance intact. “Tears Don’t Fall” had everyone shouting every lyric back at them, a sea of fans united against the weather for the love of the music. Rain or shine, the song still lands like a punch to the chest. Tuck briefly addressed the weather, thanking fans for sticking it out and promising to see everyone again next year. “Waking the Demon” closed out the set and hit like a war cry, turning the pit into a frenzy as the band exited triumphantly into the stormy night.

Trivium followed with a masterclass in controlled chaos. Opening with “Rain,” it was an oddly fitting start that perfectly suited the nature-versus-metal battle that had been ongoing throughout the night. Frontman Matt Heafy radiated gratitude, visibly moved by the fans who stuck through the delay and storm warnings to see the band tear into their iconic Ascendancy. The riffs were tight, the drums relentless, and the band played like they had something to prove, even after 20 years of dominance.

“Pull Harder on the Strings of Your Martyr” turned the venue into a battlefield, with bodies flying and voices raised in unison. Trivium’s chemistry was undeniable, and even with less time than planned, they didn’t cut corners. Corey Beaulieu’s guitar solos were sharp and searing, while Paolo Gregoletto’s bass lines kept everything grounded. Alex Bent’s drumming was rivaled only by the thunderous burst Pittsburgh had survived mere hours prior. The crowd’s energy fed the band, and every breakdown hit harder because of it. Despite Bleed From Within being cut from the bill for the night, vocalist Scott Kennedy joined Trivium for a powerhouse performance of “A Gunshot to the Head of Trepidation.” There was a sense of urgency to their set to try to beat out an impending second round of storms, but it never felt rushed, just focused, fierce, and fueled by adrenaline.

This show could have easily been cancelled and, under the circumstances, it would have been completely understandable, but it went on for one reason: the fans. And, under the circumstances, the show could have had a much smaller turnout than usual, but those fans made sure Stage AE was absolutely packed. Fans who braved the worst storm Pittsburgh has seen in years and dodged 70 mph winds and downed trees to see their favourite bands. Fans who traveled for hours just for the love of the music. While the rest of the city was at its lowest, Stage AE was alive and thriving, if only for a few short hours. The shortened set was certainly disappointing, but it meant the energy of a 4-band show was now condensed and concentrated, and it made for an absolutely ravenous crowd, with Heafy even calling it the “best crowd in the entire state of Pennsylvania.” Nonstop moshing and crowdsurfing, cheers and shouts that echoed through the void of the night, shows like this are what make live music magical.

After playing through Ascendancy, Trivium ended their lightning-fast set with “In Waves,” the final notes crashing over a crowd that had endured lightning, wind, and delay just to scream every lyric one last time. It may not have been the night anyone expected, but it became something even more memorable because of it. Two bands. One storm. And a city full of fans who proved that metal, at its core, is about more than music. It’s about resilience, connection, and showing up no matter what gets thrown at you.

April 29th, 2025

Bullet For My Valentine

  • Her Voice Resides
  • 4 Words (to Choke Upon)
  • Tears Don’t Fall
  • Suffocating Under Words of Sorrow (What Can I Do)
  • Hit the Floor
  • All These Things I Hate (Revolve Around Me)
  • Hand of Blood
  • Room 409
  • The Poison
  • 10 Years Today
  • Cries in Vain
  • The End
  • Waking the Demon

Trivium

Ascendancy

  • Rain
  • Pull Harder on the Strings of Your Martyr
  • Drowned and Torn Asunder
  • Ascendancy
  • Drum Solo
  • A Gunshot to the Head of Trepidation (with Scott Kennedy)
  • Like Light to the Flies
  • Dying in Your Arms
  • The Deceived
  • Suffocating Sight
  • Departure
  • Declaration

Encore

  • In Waves

Author

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